Alternately celebrated and condemned, both linked to history and future-oriented, ornament is a significant and often underestimated item of the architectural vocabulary. This book presents the unfolding of the ornament debate since the nineteenth century, from a historico-cultural point of view, and uses it as the basis for a comprehensive presentation and analysis of contemporary ornament theory and practice. A range of examples shows not only the wide spectrum of ornamental forms – from regional traditions and examples from the fine arts, via the wealth of forms in nature, to the moving lighting ornamentation of modern digital façades – but also their communicative aspect and aesthetic appeal.
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