The reconstruction of a design concept of the 1920s and 1930s that has left an indelieble mark on the modern, domestic aesthetic as we know it.
The book ‘The Advanced School of Collective Feeling’ explores the advent of radical new conceptions of the body—a phenomenon known in the 1920s and ’30s as &lphysical culture&r – and their impact on the thinking of some of modern architecture’s most influential figures. Using archival photographs, diagrams, and plans, the book reconstructs a constellation of provocative domestic projects by Marcel Breuer, Charlotte Perriand, Richard Neutra, and others. This obscure chapter in the modern movement gestures towards a remarkable synthesis of the individual and the collective, a perspective that holds enormous potential for articulating an architecture of today.
