In this compilation of essays, written between 2010 and 2020, the Belgian architect Kersten Geers writes about diverse historical architects – from Bramante, Scamozzi and Mies van der Rohe to Aldo Rossi, James Stirling, Álvaro Siza or Robert Venturi – to compose a kind of theory of contemporary architecture in which he deals with issues such as language and form.
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