L.A. Vedute by Thomas Locke Hobbs (US) is a documentary study of domestic architecture in the city of Los Angeles. Standing on the property line of two apartment buildings with adjacent driveways, the space in between reminded Hobbs of a painting: The Ideal City of Urbino, where the illusion of space is achieved when receding lines that establish spatial relationships converge at a central vanishing point.
The work presents the way shared spaces recede to a common vanishing point, largely unpopulated and deserted, like movie sets where actors have disappeared. L.A. Vedute exposes the veins of a city, in conflict and coexistence, with a poetic obliviousness: metaphors of alienation.
